31/07/2021
31 Jul 2021

Turning the tide

31 Jul 2021

Turning the tide

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Douglas MurrayDouglas Murray
Turning the tide: how to deal with Britain’s new migrant crisis

In December 2018 the then home secretary, Sajid Javid, cut short his Christmas holidays to go to the Channel and stare at boats. Two hundred illegal migrants had crossed from France in the previous two months and Javid, buckling to public pressure, declared a ‘major incident’. On that basis his successor, Priti Patel, should cancel any holiday plans for the foreseeable future. The number of migrants coming in through this illegal route reached more than 2,000 in June, setting a new record.

Turning the tide: how to deal with Britain’s new migrant crisis
Charlotte Eagar
The ‘alpha migrants’ are here – why don’t we let them work?

We’re all slowly becoming aware that there’s a new migrant crisis. Last week Jon Donnison of the BBC, cruising the English Channel looking for asylum-seekers heading to the UK, found four young men, paddling by hand their tiny rubber dinghy. They’d come from Sudan via France, and for the last leg of their journey they’d dodged the oil tankers and container ships ploughing the world’s busiest shipping lane; only one of the young men even wore a life jacket.

The ‘alpha migrants’ are here – why don’t we let them work?
Christopher Snowdon
The WHO’s bizarre war on e-cigarettes

When the COP26 climate change conference hits Glasgow at the end of October, the media will be out in force to discover how world leaders are going to meet their ambitious carbon emission targets. It will be on the front pages. Edited highlights will be on television. Boris Johnson and Nicola Sturgeon will be elbowing each other out of the way to get in the limelight. Extinction Rebellion will be performing their doomsday japes outside.

The WHO’s bizarre war on e-cigarettes
Ian Williams
The troubling truth about Britain’s nuclear deal with China

The most shocking thing about the news that the government is looking to remove China from Britain’s nuclear power programme is that it has taken so long. But it will not be a straight-forward process. It will likely provoke tantrums from Beijing, as well as grumbles from a nuclear lobby that will have to find somebody else to stump up the billions needed for their pet projects. China General Nuclear should never have been allowed anywhere near such a critical piece of national infrastructure.

The troubling truth about Britain’s nuclear deal with China
Damian Thompson
Why am I so angry?

Last week, walking into a branch of Waterstones in south London, I made way (or so I thought) for a pixie-faced man in Lycra who was theatrically hauling his bike into the shop. It seemed a bit of a liberty, but these days cyclists are godly folk who can do anything they like, especially in the eco-obsessed puritan commonwealths south of the river. Then a querulous voice piped up behind me. ‘Excuse me! You just pushed past me and my bike.

Why am I so angry?
Andrew Kenny
The real reasons for South Africa’s riots

Sixty-eight years ago, when I was four, my Scottish father and English mother took me from London to South Africa, to a seaside town 20 miles south of Cape Town in the Western Cape. This is Fish Hoek (pronounced ‘fishhook’). I was brought up here, and after working in England and elsewhere in South Africa, I have returned. I have lived through the rise and fall of apartheid, and the 27-year rule of the ANC. I watched the terrible recent events, which seem to have subsided.

The real reasons for South Africa’s riots
Nicholas Barrow
Modern soap operas have lost the plot

I have Asperger’s syndrome and since childhood have been watching TV soaps: mainly EastEnders and Neighbours. I found classic EastEnders from the 1980s and 1990s highly reassuring during a dark time in my life three years ago, and in lockdown. I would say, though, that in recent years these two soaps have gone downhill. They are more staged, the storylines less intriguing and the themes exaggerated. They don’t seem to be about everyday life any more.

Modern soap operas have lost the plot
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