Friends, soulmates, rivals: the double life of Francis Bacon and Lucian Freud
Francis Bacon and Lucian Freud are likely to go down together in art history. If the link had not already been set in cement, it certainly became so at Christie’s New York last month, when Bacon’s ‘Three Studies of Lucian Freud’ (1969), a three-part portrait of his friend and colleague, went for $142.4 million or a whisker less than £90 million, thus becoming the most expensive work of art ever sold at auction.
Perhaps that was a freakish figure — I suspect Lucian would have thought so — but it remains dizzying fact that a figurative painting, done in London within the past 45 years, and born out of a friendship forged in raffish Soho bars and clubs, should have attained such a value.