Andrew Marr
Why aren’t more museums and galleries back open?
Staying in Britain for the summer has been, in many ways, entirely glorious. We have zigzagged from Shropshire through Derbyshire to the Northumberland coast, from Fife and Perthshire to Herefordshire and Devon. On the way, beautiful little towns and sweeping coastlines, not empty but not crammed either; excellent local food and plenty to keep us interested, from echoing cathedrals to buzzing bookshops.
But it has also allowed me to see first hand just how desolate so many high streets are: not only the shops closed because of plague, but those shuttered, clearly from a long time back. Boarded up doors, bleached posters… If it wasn’t so wet, the tumbleweed would be blowing.
Meanwhile, too many places of worship, museums and galleries seem to have taken Covid-19 as a catch-all excuse to stay shut, increasing the sense of weird emptiness. I am a mask-wearer and a social-distancer, but I’m getting increasingly irate at the prissy, prim, self-congratulatory way so many organisations are priding themselves on doing sod all for the paying (or simply ambling past) public. Provincial Britain seems to me a country fighting for its life.
This article is an extract from Andrew Marr's Spectator Diary, available in this week's magazine.